Demo Report Feb 2023 – Wolfgang Schulze-Zachau

We start this month with our first demonstrator of the year, Wolfgang Schulze-Zachau, he is also a member of our very own club and is always helpful to anyone who asks. We had a total of 26 members in attendance for the demonstration this evening.

Part One Of The Evening

Wolfgang’s demo was turning a thin-walled goblet from a length of green Beechwood, which had not been down for long and so therefore there will be more moisture in the wood than normal, giving it different properties whilst turning and then whilst it is drying, with water coming out as it is turning. The Wood used was Beech about 100mm in diameter and around 200mm long.

Wolfgang started by turning one end down to a tenon so that it could be mounted within a chuck. The blank was reduced in diameter by means of a bowl gouge being used in the pull-cut orientation with the speed of the lathe set to around 1800 rpm.  The bark is left on at the goblet bowl end so that it would be left with a natural edge to the goblet, this was then faced off to produce a square face, using a spindle gouge.

The bowl part of the goblet is the first part to be hollowed out prior to removing any additional wood for the stem.  The tailstock was left in place as long as possible, after tailstock removal, the hollowing continued until the correct depth was reached.

Waste wood was then removed from the stem side of the project so that the thickness of the goblet will be reduced to a thin layer so the light can be seen through the layer.  It was at this point that Wolfgang went for the wood turners proverbial one last cut and the head of the goblet came away from the main body of the stem, Wolfgang then proceeded to demonstrate how to get around this problem so that there was no waste of wood and we still end up with a goblet. The base of the goblet was turned down to accept the hole in the base of the goblet bowl, making it look acceptable to the eye.

Part Two Of The Evening

Wolfgang stated that he works with a light fitting firm producing lampstands, and went through the process of being a production turner. He follows a plan (supplied by the customer) as accurately as possible for woodturning. The lamp-holder spindle had a hole drilled out, all the way through by use of an auger bit with a screw section as the point prior to this demo.

Wolfgang then demonstrated how he mounted the spindle blank, then how using a spindle gouge he forms the beads and coves along the length of the spindle, this was done with the use of a memory stick with all of the measurements marked along the length.

The base of the lamp holder was next on the lathe and was turned at around 1000 rpm. Wolfgang used a template for marking out sizes and defining the shape of the piece. He stated he has found that the template needs to be thinner, and he would be making another one.

Members asked relevant questions throughout the evening which is a good thing, with everyone taking in the relevant techniques employed by Wolfgang.

Once again the club would like to thank Wolfgang for the evening’s demonstration and explanations of what was taking place during the demo.

Wolfgang stated that he would be turning professional in about four weeks’ time which would be halfway through March. The club members wished him well with his new career

Once again Roger Sherwood and Arthur were stalwarts of the tea urns, and Steve was looking after the raffle for the evening with many excellent prizes up for grabs.

Thanks must also go out to Rob and Ian for setting up the video and audio equipment, this included using our new camera, which was used for the overhead shots.

The club would like to thank Dean Smitheman for the donation of a large amount of wood (Ash, Silver Birch, Laburnum, and Blackthorn).  All proceeds from this wood are to go towards the club’s charity, Mary Stevens Hospice.

The club would like to give their thanks to all who helped out with both the setting up process and also the cleaning up at the end of the evening.

Also, just a reminder that a new events calendar has been released which includes a Saturday all-day event on the 22nd of April, where members can go along and have a go at various tasks and hopefully sort out any problems that they may have.

Report by Barrie Fisher, edited by Steve Hackett

December 2022 – Mary Stevens Christmas Fair & Coffee Morning

Mary Stevens Hospice is the Black Country Wood Turners nominated charity that we raise money for throughout the year not the least at the two Mary Stevens main events per year being the Christmas & Summer fairs.

Prior to the event opening to the public, we set out four main tables to take the items for sale:

  • One charity table 
  • Two tables for the club members to sell their items.
  • One table for Kim’s Kraft (Ian’s wife) selling Christmas cards, boxes and decorative bags along with Ian’s turnings.

Opening times for the event were from 10.00 until 14.00.

The club members gave donations from part of their takings to go towards the charity pot.

In total, we had ten members turn up for the event to set everything up ready for the opening, With additional members joining us throughout the day to take in the event and have a chat, along with our newest member Bill.

The charity table is made up of club members turned items that they have donated to the cause of the charity, this table is used as a means of getting the general public to donate the amount that they think is appropriate for the item, nearly all the time with them giving more.

During the event, we had a steady stream of visitors into the event and from the look at some of the other charity tables being almost empty, it was a good successful event for them and gives them some much-needed funds.

At the close of the event, we were in a position to hand over a further £219.70 to be added to their overall funds.

Demo Report Oct 2022 – Wolfgang Schulze-Zachau

The subject for the evening was Christmas Decorations.

Projects will be a Christmas tree, a Snowman & a Star Shape German Ring Turning

Wolfgang started by going through the various items that he was to cover through the evening and gave advice on which project would be good for the beginner and the more experienced woodturner, also starting that any new members should take tuition from a more experienced turner so that they can develop their own individual skills to a safe level and then to keep practising.

Project 1 – Christmas tree

He started by turning an approx 50mm square spindle down to a round, during this process, he stated that you needed to listen to the sound of the wood as you can sometimes hear problems prior to something happening on the lathe.

When in a round state a dovetail tenon was cut by means of a parting tool which had been reshaped to form the dovetail shape for the chuck mount.  At this point, the blank was remounted in the chuck in a secure and safe manner so that the tenon was gripped all the way around.

The shape was then looked at and a taper was cut down to a point whilst the tailstock was in position when the point was achieved the waste nub of timber dropped off and the tailstock was now removed.  The shape was cut mainly by means of the spindle roughing gouge and then refined with a skew.  The layers of the tree were then cut and at this point, you could use either a skew or spindle gouge with a fingernail grind applied. 

Wolfgang also demonstrated how he sharpened the fingernail grind with a diamond card to establish an edge again.

The bevel must always be in contact with the blank as that is the direction of the cut that you will require.  During the process, Wolfgang demonstrated using the tools both right and left-handed which is good practice to get into but again this will take practice.  This exercise will help develop your skills for both skew and spindle gouge turning.  Pine is a good wood to use for practice sessions.

Project 2 – Snowman

The blank was again mounted between centres and turned to a round again the wood blank being 50mm square.  A tenon was again produced in the same manner as the tree, at this point, the blank was again remounted in the chuck.

The top of the blank was now cleaned off and made flat, the shape of the snowman was the next thing to be marked up so that the dimensions were clear, the largest section of the wood being at the headstock end and then gradually getting smaller as you get to his head.  Each section is turned as a bead but they need not be a total round, these being produced by rolling a spindle gouge.  For the head, only part of the head is showing as the rest is in his hat.

The item itself was then painted on the lathe so that any overlapping paint could be removed easier.

Project 3 – Star Shape German Ring Turning

The wood blank for this project was a large slice of a Leylandii tree with the grain running lengthways in line with the bed, Wolfgang explained that Leylandii was ok to turn but produced a poor quality finish with lots of tearout. But was the only blank he had available at such short notice and it would do to show the ring-turning technique. He mounted the blank in the spindle orientation, its size was approx. 9in x 3in.  Wolfgang used his sanding disc on the headstock as a drive plate with a pointed live centre in the tailstock pressed up against the blank, it was then cleaned flat and a tenon was produced for when the blank was turned. 

Wolfgang started by showing his template of half a star which would be used on a regular basis to keep checking the shape, this template needed to be accurate.  He found where on the blank the centre of the side wall would be and then proceeded to mark the areas for the other points of the star.

The removal of waste was by means of a spindle gouge, and always developing the straight lines to produce the crispness required and also to cut down on the sanding process.  When he was satisfied with the shape against the template he remounted the blank and carried out the same process on the opposite side.

With the thickness getting less and less a securing tape was added to the back of the blank so that it could be held on to the chuck as the last cuts are trying to get the hoop to come apart from the main core, again you need to listen to what the wood is telling you.

When the last cut had been produced the hooped star came away and it then needed to be cut into strips around the edge to form each individual star.

Wolfgang used a pull saw to cut through the hoop and took one star out which left plenty more, a better way would be to use your bandsaw as he stated.

This is a process which was developed in a region of eastern Germany in the Ore mountains of Erzgebirge.

You will need to be very patient with this process as the majority of waste is in the form of dust instead of shavings.

Using this technique you can achieve amazing results

Thanks go out to Wolfgang for stepping in at very short notice and the evening was well worth the change.

Also, thanks again to Steve for the raffle and also to Ian for stepping in this month, and setting up the video and audio equipment.

Additionally thanks to all who set up the room and also who put it back in a usable manner for the college.

Report by Barrie Fisher, edited by Steve Hackett

AWGB International Woodturning Seminar 2022 – Report By Barrie Fisher

This was held in Yarnfield, Stone in Staffordshire, and is the 17th International Seminar.

The event began on Friday the 7th Oct. There was to be a selection of 10 woodturners who have 90 minutes to start and finish a project during the demonstrations over the weekend. The event itself started at 13.00 after the event was officially opened by the chairman.

It has taken a while now for this event to come around, I had paid for this three years ago prior to the start of Covid.

During the weekend you have the pick of attending 40 different demonstrations, of which you have the option of picking 9 from the 40. The event was staged so that on Friday afternoon you could attend two of the demonstrations, on Saturday you would be able to choose four, and finally on Sunday an additional three demonstrations.

The following woodturners took part and turned their own relevant projects, all of the demonstrators explained everything as they went through the projects and also answered questions as they worked through the relevant processes.

Bob Rotche

Bob is a Virginian from the USA and has worked with wood most of his life. Although he still uses a lathe, he is more recognised for his work with carving, colour and texture.

Sculptures and Spheres

Making the ordinary extraordinary

Carving, Colour and Creativity

Alain Mailland

Born on the Ivory Coast and moved to France when he was five. He started his woodturning journey at the age of twenty-eight. Alain developed his own style and technique particularly in hollowing, in addition to developing his own tools to turn flowers.

Wood flowers and carved trees

Carnivore plant

Neil Turner

Neil has a deep respect for the material and natural forces of nature and the natural world, this aspect is then transferred into his work. He looks at how water and wind form patterns in the environment.

Coral embellishment on an open form pretty wood

Jack De Vas Seedpod nature

Sea Urchin box

Vase with fire form

Joey Richardson

She is known for her delicate pierce and richly hued wood forms. Joey demonstrates internationally and her sculptures are held in numerous permanent and private collections worldwide.

Thin-walled turning and piercing

Airbrushing and colouring

Carving texture pyrography and inspiration

Joe Laird

Joe brings his talent and love of wood both in Ireland and overseas. Joe uses the wood to determine the final shape, Joe has been demonstrating for the last 20 years and became a full-time professional 16 years ago. He is the first woodturner outside of the UK to be accepted into the RPT.

Square Bowl

Shamrock Bowl

Celtic bowl

Nathalie Groenewey

She has been working with wood for almost 20 years and was trained in violin making in Newark. She started woodturning in 2009.

Small standing trembleurs

Tubes and ball joints

Colwin Way

Colwin lives in Lyme Regis on the Jurassic Coast. He has over 35 years in woodturning and is heavily influenced by the craftsmanship of the Erzgebirge region of Germany, he loves making his projects that are heavily influenced by Christmas.

Taming the Skew

German smoking figure

Christmas pyramid and nativity

Nikos Siragas

Nikos specializes in combining turning and carving to create sculptural artistic forms using mainly local woods from Crete. Nikos has 20 years of experience demonstrating and teaching.

Three stand vase

Tagliatelle Goblet

Vase with four feet

Lady with a hat

Gary Lowe

Originally from Glasgow and now lives in Moray, Northern Scotland. Gary started woodturning in the 90s and uses texture and colour in his work and has opened up a lot more avenues for him.

Decorated rice bowl

Flower pod

Texture and leafed box

Stepped open box

Wobble box

Eugene Grimley

Eugene started his woodturning career in 2000. His first demonstrations started in 2006. Eugene likes to use his demonstrations to teach and inspire the audience to try something new and different.

Oil lamp tri-corner turned from a cube

Easy hollow forms a potpourri bowl

Multi-axis turning bowls with handles

In addition to the above you could also join in with a masterclass event with the various turners and also:

Chestnut Products demonstration

Hope threading jig and other tools

Woodart’s intro to airbrushing techniques

The conference centre is split over two large floor areas and the accommodation areas moving out to other areas all of which are undercover.

Within the confines of the reception area is where the traders were set up and they seemed to be selling well throughout the event. Traders that were present at the seminar were as follows:

Ashley Iles

Axminster Power Tools

Jo Sonja

Hope Woodturning

Metal Clay / House of Resin

Henry Taylor Tools

Martin Pidgen wood

Shenton Woodcraft

Turners Retreat

Woodart Products

On Saturday evening the AWGB put on an auction of over 20 turned items by named woodturners, who had donated their projects, in total all of these were sold and raised an overall amount of £4150.00, all of which went toward the AWGB charity.

The final part of Sunday afternoon ended with a raffle which had some very good and expensive prizes.

Next to the restaurant, was the room set up for the gallery ( See the previous report for gallery photos), this is where woodturners from all over could put their own work in and have the possibility of having their item chosen by professional turners to go forward into the travelling exhibition for the next two years. In total there were 50 pieces chosen for this. Woodturners could also put their own work into the gallery so that they could be sold at the cost shown within the gallery. In addition to these items down the side was a collection of the late Ray Keys items.

During the four days (starting on Thursday to set up) the AWGB committee and area reps worked very hard, not only to get the area ready for the guests but also during the three days of the event to make sure that the event was run smoothly.

The committee also thanked all of the additional volunteers who came to the event and helped out on a daily basis, giving up their own time. It was good to see that all of the volunteers present on all of the days were from our very own Blackcountry Woodturners.

Report By Barrie Fisher

BCWT at the AWGB International Woodturning Seminar 2022 Gallery Photo’s

The Black Country Wood Turners were pleased to assist the AWGB at this year’s seminar.

Our members Ian & Roger, Nigel & Teresa, Steve & Rob and Greg & Andy worked hard in shifts over the weekend to help in running the Seminar’s Instant Gallery (see photos below) and being airport taxi service to some of the international delegates.

The AWGB expressed their thanks for all the assistance given by our club over the seminar weekend.

Report & Photos by Barrie Fisher & Steve Hackett